Ask and you shall receive.

Mindy Kaling loves Jimmy Fallon more than anything in the world right now.

The reason? On Thursday, the Late Night host granted Kaling’s wish and “asked about” her during his interview with Game of Thrones hunk Nikolaj Coster-Waldau.

Kaling, who made her request on Twitter hours before the taping, also received photographic evidence from Fallon.

.@mindykaling I asked Jamie Lannister about you. He says hi. twitter.com/jimmyfallon/st…

— jimmy fallon (@jimmyfallon) May 9, 2013

To which Kaling responded, “I CAN’T. I CAN’T EVEN.”

Coster-Waldau can also be seen holding a photo of Kaling from Monday’s Met Gala — an event both stars attended.

For those looking for a new Hollywood romance to obsess about, look elsewhere: the Danish stud has been married to former Miss Greenland Nukaka Motzfeldt since 1998. They have two kids.

While the women at the 2013 Met Gala had a lot of fun in the fashion department, the men who arrived to last night’s wacky runway show mostly kept things on the tame side, if not boring. Such is the case when your lineup includes people like Tiger Woods and Alec Baldwin.

Luckily, there were a couple of instances in which the guys managed to stand out among the ladies, even if that meant having to dye your hair blue. (Thank you, Zachary Quinto!)

Of course, standing out can sometimes mean a bad thing, which is so often the case when you’re a certain famous quarterback who pairs an ill-fitting blue jacket with a haircut that dates back to 1995.

So, who were the best dressed in the men’s department, and which guy single handedly crashed and burned? Check them out, below.

BEST DRESSED MEN

5.) Gerard Butler

4.) John Krasinski

3.) Armie Hammer

2.) Zachary Quinto

1.) Nikolaj Coster-Waldau

As for that really, really bad look I had mentioned earlier? Well, the title of Worst Dressed Man goes to Tom Brady, for three very simple reasons:

1.)

2.)

And 3.)

Dude. Just … no.

Zach Galifianakis is so much more than that funny bearded guy from The Hangover movies.

On Saturday, the actor took over the stages of Saturday Night Live and delivered one of the season’s more entertaining episodes (up there with Justin Timberlake and Joseph Gordon-Levitt).

In his opening monologue, Galifianakis presented joke after joke, some accompanied by his piano-playing skills, before opening an Altoids box that was supposed to be a cellphone. (Watch the clip above)

Decked out in a green dragon costume, Galifianakis later took part in a game show sketch called “Game of Game of Thrones,” where he faced real life questions (“What is the capital of Wisconsin?”) while his opponents answered book-related trivia.

Following the wild fire round, he gets a question from none other than Nikolaj Coster-Waldau, aka. Jamie Lannister on the HBO series.

“Nikolaj I have dreamed about meeting you for so long,” Galifianakis, in his dragon outfit, says. “Look at that jaw. I bet you smell like Drakkar . . . I just want you to know, I would make a great best friend. We could go to the movies, we could share jeans, we could shower together, even though I wouldn’t look down. I would want to.”

Galifianakis was later joined by his Hangover co-stars Bradley Cooper and Ed Helms, who played themselves in a Jennifer Aniston lookalike contest.

Jon Hamm also made a surprise guest appearance in a two-part sketch that deserves more watching than explaining:

Of Monsters and Men served as musical guest.

Kristen Wiig will make her return to SNL on May 11, hosting nearly one year after leaving the cast, while Vampire Weekend will serve up new tunes from their upcoming album Modern Vampires of the City.

What did you think of Zach Galifianakis on “Saturday Night Live?”

Nicki Minaj is heading to the silver screen.

The American Idol judge is in final negotiations to make her live-action feature film debut in FOX’s revenge comedy, The Other Woman, according to The Hollywood Reporter.

Directed by Nick Cassavetes, the flick will also star certified movie starlet Cameron Diaz as “the other woman,” comedy vixen Leslie Mann, Game of Thrones hunk Nikolaj Coster-Waldau and — yes, you’ve heard correctly — two-time Sports Illustrated Swimsuit Issue cover gal, Kate Upton.

Basically, it’s going to be a movie starring a bunch of beautiful people. (So where’s Gwyneth Paltrow in this equation then?)

According to the publication, Diaz will play a woman teaming up with a housewife (Mann) to get back at her cheating husband (Coster-Waldau) after she finds out she was the mistress in the relationship.

Minaj will play Diaz’s opinionated assistant, a woman who’s on her third marriage, while Upton is another mistress who ends up joining in on the revenge.

Do you think the “Starships” rapper has the acting chops to pull this off?

After her breakthrough portrayal last year as the saintly mother in The Tree Of Life, Jessica Chastain found herself inundated with screenplays offering similar roles. A contrarian by nature, she refused to be typecast, taking a starring role in Andres Muschietti’s Mama, an uneven ghost story that relies heavily on cliche but features plenty of jolting scares before the end credits roll.

Chastain plays Annabel, a bassist in an unknown punk band who possesses about as much maternal instinct as Madea. Her artist boyfriend Lucas (Game of Thrones‘ Nikolaj Coster-Waldau) has a twin brother who, in the movie’s opening sequence, murders his wife and takes his two small daughters on the lam. A car accident lands them in an abandoned cabin in a snowy forest where – about to dispense with his daughters and kill himself – he is murdered by a shadowy attacker, leaving the girls to fend for themselves.

Six years later they are discovered by a pair of trackers. Living in the forest has turned them into feral beasts barely resembling human children. But with some therapy they are made to seem almost normal, albeit eerily reticent and psychically removed. As such, they are remanded to Annabel and Lucas who are furnished a suburban home in which to raise them provided psychologist Dr. Dreyfuss (Daniel Kash) is given full access to the girls for study.

In time, it becomes clear how the girls survived on their own. “Mama,” the ghostly force that dispensed with their father years ago, has followed the children to the new house, clinging to them as if they were her own.

When an encounter with Mama leaves Lucas in a coma, Annabel is given full custody. Gradually the ghost makes her presence known in a way that provides Muschietti’s debut film with its greatest strength. The filmmakers wisely keep Mama’s ghostly visage hidden from the audience, gradually revealing their monster, as with the shark in Jaws, saving her till the end when we see her in her full glory.

Mama has been called a horror film, but it’s a ghost story, relying primarily on atmosphere and less on shock and gore. Scene by scene, Muschietti builds tension, allowing us artful glimpses of Mama, most memorably when her shadow is spied through a bedroom door as she plays tug of war with one of the children. His ability to insinuate otherworldly threats is occasionally reminiscent of the Japanese tradition which gave us spooky classics like Ugetsu and Kuroneko and later The Ring, which Mama sometimes evokes.

Antonio Riestra’s gloomy cinematography underscores the shadowy psychic landscape permeating the movie, and Michele Conroy’s adept editing brings punch to Mama’s scary sequences without overdoing it.

Unfortunately, Mama relies a bit too heavily on cliches such as creaky hinges and things that go bump in the night, as well as proliferating moths and faulty electricity auguring an otherworldly presence.

Fernando Velasquez’s score frequently overwhelms scenes and cheap gimmicks like overly loud sound cues are employed to jolt the audience from time to time. But Mama’s most glaring transgression is a script which allows the audience to stay well ahead of the characters. By the time Dr. Dreyfuss and Annabel begin to sense supernatural elements are at play, the audience is long since familiar with the threat.

Coming off her Golden Globe win and heading into the Oscars as a frontrunner, Chastain acquits herself well here, embodying Annabel with a naturalism that overrides occasionally clunky dialogue. Sporting an octopus tattoo and a black wig that suggests Liza Minnelli, she slips seamlessly into the role, serving the genre without ever condescending to it.

Joining her are little Megan Charpentier and Isabelle Nelisse who portray a pair of ‘creepy kids’ in a manner that is both convincing and free of cliche. But Coster-Waldau, as Lucas, cannot overcome the limits of his character as written.

If you find the shortcomings listed here outweigh Mama’s considerable strengths, wait till the last act where the ghostly 19th century back story catches up to the present. Muschietti stages his finale on a moonlit cliff overlooking a lake where a knotty old tree casts a tortured shadow. In a final, climactic standoff, Muschietti combines genuine emotion with horror in an almost Burton-esque manner, elevating Mama to a level that starkly outdoes the rest of the movie.

If you are looking for blood and mayhem, you’ll be better off checking out Texas Chainsaw 3-D. While Mama is occasionally hamstrung by cliches, it is a stylish and effective ghost story that lives up to its promise, delivering spine-tingling scares.

How eager are you to be scared by Mama? Watch the film’s theatrical trailer, and let us know what you thought of the movie in the comments below!